Courses

This course focuses on the fundamentals of news reporting and writing. Students will explore storytelling and narrative, lead writing, point of view, information gathering, interviewing, ethics, and more. The class aims to help students develop overall research, writing, and thinking skills; questioning, listening, and interviewing skills; and a more sophisticated understanding of the practice and ethics of contemporary journalism.

A general category used only in the evaluation of transfer credit.

Surveys literary nonfiction writing in the 20th and 21st centuries and introduces students to the many genres of nonfiction writing, to the creative possibilities of contemporary journalism, and to the ethics of writing about other people. Students read extensively and write in the genres of personal essay, immersion, news, and narrative journalism.

Crosslisting: ENGL 221.

This course explores nonfiction storytelling across multiple platforms. Students will learn how to edit audio and video stories using relevant and up-to-date programs. Most importantly, they will learn which is the most effective vehicle for the story they are telling..

Crosslisting: ENGL 386.

It is one thing to do science. It is another to write about science in a way that is compelling, understandable and relatable to the public. With our current political and cultural climate, this means science writing is in a vital role to educate people on how science works, how it impacts our daily lives and how we can defend against misinformation. You don’t need to be a scientist to learn how to write about science, you just need to be interested in how we can write effectively about scientific ideas, research and people. This course will develop your skills in writing about science so that, by the end of the semester, you will have created new science media articles, podcasts and more that delve into science being done on campus and around the world. We will read examples of excellent science writing, converse with people who are active writers in science media and workshop our writing to hone our stories.

This class is an introduction to the study of documentary filmmaking. We will cover this subject as a topic of film analysis (attending to the formal characteristics of film), history (examining landmark films and film movements in the development of documentary), and theory (exploring larger, more philosophical questions raised by non-fiction films). Students will work in a variety of formats (short and long writing assignments, in-class exercises, and oral presentation), as we address the following questions. Who are the most vital documentary filmmakers both historically and of our time? What defines a documentary as opposed to other film genres or modes? What are the subjects that are particularly suited to exploration through documentary filmmaking? How variously do documentarians define truth and by what ethical contracts do they consider themselves bound? Feature-length films are the central focus of the class, but we will also work with television series, radio programs, and non-fiction writing.

A general category used only in the evaluation of transfer credit.

Experiential Reporting gives students a better understanding of the ethics of reporting in communities other than their own. Each class will focus on a specific geographic location. This class will include significant on-the-ground reporting trips. Students will develop ethical and effective ways of finding stories within communities, conducting interviews, connecting and building relationships with interviewees, and networking with community experts.

A general category used only in the evaluation of transfer credit.

Individually designed projects on selected topics in Journalism.

Individually designed projects on selected topics in Journalism.