The Vail Series presents Gabriel Kahane
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A limited number of tickets will be available for public sale on a first come, first served basis at $20 each.
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Arts Engagement Coordinator
Vail Series Assistant Director
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Hailed as “one of the finest songwriters of the day” by The New Yorker, Gabriel Kahane is a musician and storyteller whose work spans the theater, club, and concert hall.
In addition, he tours as a duo with fellow composer/performer Caroline Shaw in the United States and Europe, including performances at the Philharmonie de Paris, Wigmore Hall, and the Concertgebouw. This season also witnesses the premiere of a clarinet concerto for Anthony McGill, a solo debut with the Orchestre National de Lyon, as well as Kahane’s San Francisco conducting debut in Carla Kihlstedt’s “Twenty-six Little Deaths.”
Kahane maintains a diverse roster of collaborators from various corners of the musical universe, ranging from Phoebe Bridgers, Paul Simon, Sufjan Stevens, and Sylvan Esso, to the Danish String Quartet, Roomful of Teeth, and Attacca Quartet. As a writer, he has been published by The New Yorker online and The New York Times; a newsletter and collection of essays on music, literature, and politics can be found at gabrielkahane.substack.com.
DENISON COMMUNITY TICKETS
Tickets are free for Denison students, faculty, and staff.
PUBLIC TICKETS
We share these experiences with our larger community by making a limited number of tickets available for public sale on a first come, first served basis at $20 each. A limited number of Vail Season Passes are also available for all four concerts for $68 through October 23.
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The Vail Series was endowed in 1979 by a generous gift from the late Mary and Foster McGaw in honor of Jeanne Vail, class of 1946. Just as it was intended to do, the Series enriches the artistic experience of the entire Denison community. Programmed creatively with the mindful pursuit of learning across traditional academic boundaries, more than 100 individual Vail Series artists have found their way to Denison’s classrooms and stages, but that doesn’t include the dozens of ensembles or full symphony orchestras that have played here over the years.