About

Playwright-in-Residence Program

Jonathan R. Reynolds Playwright-in-Residence Program

In 1994, one of our Theatre alumni, playwright Jonathan R. Reynolds (DU ’65), established a foundation that funds an every-other-year residency for a noted playwright to spend a semester at Denison, teaching a course in playwriting and preparing a new play for production. 

In the fall of 1995, our first guest was British author Arnold Wesker.  He taught a seminar in playwriting, directed our production of his play The Wedding Feast, starring Department Chair Jon Farris, and gave readings of some of his works.  He returned the following spring to receive an honorary doctorate from Denison.  Now age 81, he continues to write and direct in the UK.

In 1997 came Jeffrey Hatcher, a 1980 Theatre graduate of Denison.  He is the author of The Art and Craft of Playwriting and numerous original plays and adaptations for the stage, as well as TV and film scripts.  He served as consultant on our world premiere of Pierre, his adaptation of a novel by Herman Melville, taught a seminar in playwriting, and appeared with the Denison Singers in John Brown’s Body.  His play, A Picasso, has been produced at Manhattan Theatre Club and he co-wrote the screen play for Casanova.  More recently, his play Murderers was presented in Columbus.  Ten Chimneys, about Alfred Lunt and Lynn Fontanne, is one of his latest works.

The spring of 2001 brought Lee Blessing, author of numerous plays.  We produced his new play Rewrites in repertory with his classic Eleemosynary.  He taught a course in playwriting, participated weekly in a seminar on the body of his dramatic works, and gave a staged reading of his one-man play Chesapeake.  His award-winning play A Walk in the Woods was student-produced as a Senior Project in Performance.

In 2002, our playwright was Caridad Svich, and we staged the world premiere of her play Perdita Gracia.  In addition to finalizing the script for this play, she taught a seminar in playwriting and performed her one-woman play Torch.  She also collaborated with director Nick Philippou and actor/writer Todd Cerveris on The Booth Variations, a solo multimedia piece that was presented during Commencement weekend.  It played Off-Broadway in 2004 and went to the Edinburgh Fringe Festival in 2005.

In the spring of 2004, we hosted Donald Freed and presented the world premiere of his adaptation of Tolstoy’s novella The Death of Ivan Ilych.  In addition to completing his adaptation of this work, Freed taught a seminar in playwriting and collaborated with the director on the production.

In the spring of 2006, Jorge Ignacio Cortiñas created a play he titled The Buckeye You Save Could Be Your Own, with a cast of seven students.  Instead of bringing a new script to Denison, he developed the entire play after auditions—using cast members’ improvisations and ideas and working with director Rob Gander.  He also taught a seminar in playwriting.  His play Blind Mouth Singing opened in Chicago in March, and he took many of the cast members to that production.

In the spring of 2008, Arthur Kopit led us through the creative process of his play Discovery of America, based on the memoir of Cabeza de Vaca, a 16th century Spanish explorer.  We gave a staged reading which included some faculty and staff in the cast as well as an inventive score of live sound effects, created and performed by students, using percussive instruments.  In addition to directing this work, Kopit taught a playwriting seminar.  He is continuing to develop this work from his home in New York City.  Critic John Lahr named it one of the ten best new plays of 2010, following a staged reading there.

In the fall of 2011, we hosted Gretchen Cryer, author and original performer of the 1978 Off-Broadway musical hit I’m Getting My Act Together and Taking It On the Road, which she wrote with composer Nancy Ford.  We presented their musical Einstein and the Roosevelts.  In addition to teaching a seminar on playwriting, Cryer mentored a student who was working on a musical, which was student-produced the following spring.  At her home in New York City, she is a sought-after mentor of aspiring playwrights.

In the spring of 2014, Betty Shamieh is our ninth Reynolds Playwright-in-Residence.  Betty is an award-winning playwright who will teach playwriting and collaborate with composer Matt Gould and director Cheryl McFarren on a student production of The Malvolio Project, a sequel to Shakespeare’s Twelfth Night.

JONATHAN REYNOLDS

The founder of this Playwright-in-Residence program had a new play running Off-Off-Broadway during the spring of 2011 at The Flea Theater—Girls In Trouble.  In the fall of 2008, he paid a visit to the Denison campus as director of the World Premiere of FATHER/SON and Holy Ghost, a play by John Davidson, DU’63, starring Davidson and two of their classmates.

Jonathan Reynolds has had nine other plays produced in New York: Stonewall Jackson’s House (short listed for Pulitzer Prize); Dinner With Demons, a solo show in which he prepared a full five-course meal onstage eight times a week; Geniuses, produced by Playwrights Horizons and which ran for a year off-Broadway; the one-acts Yanks 3 Detroit O Top of the 7th and Rubbers at The American Place; Fighting International Fat; and Tunnel Fever or The Sheep is Out.  He has had five screenplays produced, most notably Micki and Maude and My Stepmother is an Alien.  He is the recipient of Rockefeller and Guggenheim Foundation grants as well as The Dramatists Guild Flora Roberts Award for Sustained Achievement.  For five years, he was Treasurer of The Dramatists Guild, and for six years wrote a bi-weekly food column for The New York Times Sunday Magazine.  His memoir, “Wrestling With Gravy: A Life, With Food,” was recently published by Random House.  

For more info, visit Jonathan Reynolds’ website.